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Suzanne Anker
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Suzanne Anker
About
Bio
Bibliography
Exhibitions
Public Collections
Lectures, Interviews & Symposia
Artwork
Installations
Projects
Publications
Authored Texts
Exhibition Catalogues
Shop
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Bio
Bibliography
Exhibitions
Public Collections
Lectures, Interviews & Symposia
Artwork
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Folder: Publications
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Beijing Art and Technology Biennale

Beijing Art and Technology Biennale

Food in New York: Bigger Than the Plate

Food in New York: Bigger Than the Plate

The Interface Between Humanity and the Universe

The Interface Between Humanity and the Universe

Growing

Growing

Suzanne Anker: 1.5° Celsius

Suzanne Anker: 1.5° Celsius

Daejeon Biennale 2018 – BIO

Daejeon Biennale 2018 – BIO

Artists Choose Artists

Artists Choose Artists

Nectar: War Upon the Bees

Nectar: War Upon the Bees

The Value of Food: Sustaining a Green Planet

The Value of Food: Sustaining a Green Planet

Globale: Exo-Evolution

Globale: Exo-Evolution

Future of Today

Future of Today

International Biennial of Contemporary Art of Cartagena de Indias

International Biennial of Contemporary Art of Cartagena de Indias

Rainbow Loom

Rainbow Loom

Fundamentally Human Contemporary Art and Neuroscience

Fundamentally Human Contemporary Art and Neuroscience

The Glass Veil

The Glass Veil

Bio-Blurbs: Digital Photography 2004-2007

Bio-Blurbs: Digital Photography 2004-2007

Golden Boy

Golden Boy

The Butterfly in the Brain

The Butterfly in the Brain

Devices of Wonder: From the World in a Box to Images on a Screen

Devices of Wonder: From the World in a Box to Images on a Screen

Code.X:genome

Code.X:genome

The Handmade Paper Object

The Handmade Paper Object

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Suzanne Anker
suzanne.anker@gmail.com

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As part of its permanent collection, “Origins and Futures IV” (2005) is being shown at MACAM (Museu de Arte Contemporânea Armando Martine) in Lisbon, Portugal. The sculpture makes a nod to A.G. Cairns-Smith’s theory on the ori The exhibition “A(I) Brighter Tomorrow: Cancer and Beyond” — curated by Jodi Moise and Natalia Marin — features a range of installations, interactive displays and immersive experiences that challenge traditional perspectives o Happy Holidays in this time of climate change - 2025. 

#climatechange #happyholidays #suzanneanker I am humbled to have received a Lifetime Achievement Award from The Society for Literature, Science and the Arts (SLSA) for my work and scholarship in Bio Art, revealing dilemmas in the convergence of art, nature, science and technology. Former recip Frank Gillette’s “The Symbiotic Blues” is a 9-channel video study of woodland and beach of eastern Long Island. It consists of three video triptychs (Riverrun, Spearlight, and Blackseer) and explores the relationship between the nat Please join us at The Museum of Modern Art to commemorate Frank Gillette’s contribution to video art: he will discuss how his exploration of  technology captures perception, and when combined with aesthetics, raises consciousness conc While photography captures a moment in time, lens culture also creates unexpected images. “Nonbinary” — the poster image for the upcoming conference “Re-Present: Photographic Practice” — was created with the uninte Thank you all for attending my exhibition “Arctic Gardens and The Sixth Extinction.” Visualizing the concept of climate change can help raise awareness concerning the ecological tipping point of our world. Today is the last day of the exh Please join me this Monday, September 16th at 7pm for a lecture entitled “From The Lab to The Studio.” In it I will discuss the evolution of my practice, specifically as it relates to interweaving traditional and experimental mediums betw Please join me for the opening of my solo show “Arctic Gardens and the Sixth Extinction” this Thursday, September 12 from 6-8pm at the VCS Flatiron Project Space (133/141 W 21st, Ground Floor). Included in the exhibition are several colla

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